Sookoon Ang
John Arndt
Elisabetta Benassi
Wolfgang Berkowski
Johanna Billing
Brian Block
Opie Boero-Imwinkelried
Daniel Bozhkov
Lasse Brandt
aka Bosse Sudenburg

Sarra Brill
Thomas M. Callori
Rob Carter
Anetta Mona Chisa
Suzy Cho
William Cobbing
Tyler Coburn
Patricia Cronin
Keren Cytter
Jen DeNike
Robert Ladislas Derr
Stanislao Di Giugno
Ra di Martino
Honoré d'O
Steven Eastwood
Chris Ernst
Billy Erhard
Mariana Ferratto
Oriana Fox
Rainer Ganahl
Jean-Baptiste Ganne
Mario Garcia Torres
Emil Goh
Dara Greenwald
Vincent Grenier
Jesper Just
Rob Johannesma
John Kelly
Jeroen Kooijmans
William Lamson
Penny Lane

Sandra Eula Lee
Jochen Lempert
Jason Livingston
Jennifer Locke
Giuliano Lombardo
Marie Losier
Mary Magsamen
& Stephen Hillerbrand

Giulia Mainenti
Kristine Marx
Tara Mateik
Ursula Mayer
Jacopo Miliani
Franklin Miller
Vincenzo Mistretta
Liana Miuccio
Joshua Mosley
Willett Moss
Shana Moulton
Lydia Moyer
Jeremy Newman
New Humans
Olaf Nicolai
Dan Oki
Joao Onofre
Jimmy Owenns
Arzu Ozkal Telhan
Jose Parral
Sarah Paul
Julie Perini
Rosalind Peters
Alessandro Piangiamore
Cesare Pietroiusti
Frederic Post
Gunter Puller
Marco Raparelli
Alia Raza
Asad Raza
Jack Riccobono
G. Alan Rhodes
Manuel Saiz
Alessandro Sarra
Corrado Sassi
Mathew Sawyer
Jennifer Schmidt
Guendalina Salini
Cigdem Slankard
Claudia Sohrens
Mirjam Somers
Nomi Talisman
Jennet Thomas
Jennie Thwing
Lucia Tkacova
Nathan Townes-Anderson
Thomas Tsang
Ken Ueno
Guido van der Werve
Marcella Vanzo
Nico Vascellari
Luca Vitone
Clemens von Wedemeyer
Patrick Ward
Julita Wojcik
Emiliano Zelada
Sarah Zwerling

Ragazzo, 2002
Video, color, sound, 2:42 min.

A bucolic backdrop lends a stark contrast to a startling masked figure, that of Carlo Giuliani, activist killed during the demonstrations in Genoa, Italy in July of 2001. The artist moves to and fro in the foreground, attempting to make a photographic portrait of Giuliani. Space is defined – literally – by the artist’s position to the subject, and figuratively by the position of the viewers to the potent historical image of Giuliani.

4'33'' (AMOR), 2007
Video, color, sound, 4:33 min.

Proportion and spectacle create a deafening tension in Ganne’s 4’33”(AMOR). Attention is diverted from the action on the playing field during a soccer match and shifted instead to the growing frenzy of the spectators.

4'33'' (PORN), 2007
Video, color, sound 4:33 min.

A blurred and pixilated image of a woman moving in and out of the frame, she stares at an unknown source, swaying to and fro seductively.

4'33'' (WORK), 2007
Video, color, sound, 4:33 min.
A seemingly useless action brings into focus the surrounding context.


Born in 1972, France, Jean-Baptiste Ganne lives and works in Nice. He studied at Villa Arson, Nice and was a resident artist at Rijksakademie in Amsterdam in 2003-2004 and in Villa Medici in Rome until April 2007. With various modes of expression as photography, writing, performances, video and installations, the activities of Jean-Baptiste Ganne are articulated around the “representation of politics and the politic of representations” He illustrated Marx’s Capital chapter by chapter (The Illustrated Capital, 1998-2003), he has been on strike (cooking) for six days during open studios in Rijksakademie (The Cookist, 2003) or decided to spread out his production budget converted to ten cents coins in Rome (Senza Titolo (All that Glitters is Gold), 2007). He exhibited with WHW in Zagreb (2001) published with Fotohof in Salzburg (2003), showed at Ellen de Bruijne Project in Amsterdam (2005 and 2006) and conceived ‘El albergue holandès’ at La Station in Nice (2006) as well as participating in many internationally renowned exhibitions.

Solo shows


El ingenioso hidalgo don Quijote de la Mancha & Pierre Menard, autor del Quijote,

M4 gastatelier & Agentur, Amsterdam, NL.


Das Illustrierte Kapital, Fotohof, Salzburg, A. (publication)
Villa Arson, Nice, F. (publication)


Le Capital Illustré, Galerie Le Lieu, Lorient, F.


Le Capital Illustré, Galerie Françoise Vigna, Nice, F. (publication)


Tango potencìal,  Nice Fine Arts, Nice, F. (Èdition CD)

Selected Group Shows:


World Factory, San Francisco Art Institute, San Francisco, USA.


L’égosystème, La Station, Le Confort Moderne, Poitiers, F.
Che Fare ? Notte Bianca, Villa Medici, Roma, I.
What A Finger Is To The Moon, Ellen de Bruijne Projects, Amsterdam, NL.
El albergue holandès, La Station, Nice, F. (publication)
Caravane d’artistes, Centre Soleil d’Afrique, Bamako, Mali.


Social Scupture, Ellen De Bruijne Projects, Amsterdam, NL.
                        Just Duet / Duo Juste  (Ganne / Larson ), Galerie de l’ERBA, Rouen, F.
Invisible Script, W139, Amsterdam, NL.
Fleurs de Ganne et Araki,  Galerie Hitomi Bushi d’eau, Paris, F.


Fabbrica dell'immagine, Villa Medici, Roma, I. (publication)
Open Ateliers, Rijksakademie van beeldende kunsten, Amsterdam, NL.

Livres, Imprimés et Maquettes, BNF Richelieu, Paris, F.
                       Open Ateliers, Rijksakademie van beeldende kunsten, Amsterdam, NL.

2002                      Politics,  Impakt Festival (diffusion vidéo), Utrecht, NL.
                        I am sure I have seen that somewhere before, M21, Langenlois, A.


Collective Jukebox 3.1, Moving Sound Instalation.                                                                                    Provisoirement / Provizorno, Art Radonica Lazareti,  Dubrovnik,  Cr.
                        Centre Régional d’Art Contemporain, Sète, F. (publication)
                        Höchsteistung, Shed im Eisenwerk, Frauenfeld, CH.
                        What, How and For Whom ?, Kunsthalle Exnergasse, Wien, A. (publication)


Main Basse, Musée d’Art Moderne et d’Art Contemporain, Nice, F (publication)
                        Espace Lausannois d’Art Contemporain, Lausanne, CH.
                        Sto, Kako y za Koga?, Dom-HDLU, Zagreb, Cr.
                        Les dames de la côte, C-Art Gallery, Dornbirn, A..
                        Ateliers Boissons, Marseille, F. (publication)


Clin d’œil, Fotohof, Salzburg, A..
                        Drive in, La Station, Parking de l’archet, Nice, F. (publication)


Pas d’orchidées pour Miss Blandish, Galerie F. Vigna,  Nice, F.
                        La dolce vista, Galerie Neon, Bologna, I.


Ecole Nationale de la Photographie, Arles, 1992 / 1995; Villa Arson, Nice 1995 / 1997.                       

Grants and residencies:

Aide à la Création, DRAC PACA, 1999; Post-diplôme, Ecole des Beaux-Arts, Marseille, 2000; Bourse du CNAP, Aide à la première exposition, 2000; Rijksakademie van Beeldende Kunsten, with the help of AFAA and DAP, Amsterdam, 2003 / 2004; Académie de France à Rome, Villa Medici, April 06 / April 07.