Sookoon Ang
John Arndt
Elisabetta Benassi
Wolfgang Berkowski
Johanna Billing
Brian Block
Opie Boero-Imwinkelried
Daniel Bozhkov
Lasse Brandt
aka Bosse Sudenburg

Sarra Brill
Thomas M. Callori
Rob Carter
Anetta Mona Chisa
Suzy Cho
William Cobbing
Tyler Coburn
Patricia Cronin
Keren Cytter
Jen DeNike
Robert Ladislas Derr
Stanislao Di Giugno
Ra di Martino
Honoré d'O
Steven Eastwood
Chris Ernst
Billy Erhard
Mariana Ferratto
Oriana Fox
Rainer Ganahl
Jean-Baptiste Ganne
Mario Garcia Torres
Emil Goh
Dara Greenwald
Vincent Grenier
Jesper Just
Rob Johannesma
John Kelly
Jeroen Kooijmans
William Lamson
Penny Lane

Sandra Eula Lee
Jochen Lempert
Jason Livingston
Jennifer Locke
Giuliano Lombardo
Marie Losier
Mary Magsamen
& Stephen Hillerbrand

Giulia Mainenti
Kristine Marx
Tara Mateik
Ursula Mayer
Jacopo Miliani
Franklin Miller
Vincenzo Mistretta
Liana Miuccio
Joshua Mosley
Willett Moss
Shana Moulton
Lydia Moyer
Jeremy Newman
New Humans
Olaf Nicolai
Dan Oki
Joao Onofre
Jimmy Owenns
Arzu Ozkal Telhan
Jose Parral
Sarah Paul
Julie Perini
Rosalind Peters
Alessandro Piangiamore
Cesare Pietroiusti
Frederic Post
Gunter Puller
Marco Raparelli
Alia Raza
Asad Raza
Jack Riccobono
G. Alan Rhodes
Manuel Saiz
Alessandro Sarra
Corrado Sassi
Mathew Sawyer
Jennifer Schmidt
Guendalina Salini
Cigdem Slankard
Claudia Sohrens
Mirjam Somers
Nomi Talisman
Jennet Thomas
Jennie Thwing
Lucia Tkacova
Nathan Townes-Anderson
Thomas Tsang
Ken Ueno
Guido van der Werve
Marcella Vanzo
Nico Vascellari
Luca Vitone
Clemens von Wedemeyer
Patrick Ward
Julita Wojcik
Emiliano Zelada
Sarah Zwerling


Bad News / Good News

2005, 3 min. (video, color, sound)

Bad News / Good News is a video diptych, which explores representation of gender and sex, issues of stardom and melodrama in cinema.  Bad News is a video/sound collage comprised of de-contextualized representations of a woman in terror, agony or anguish.  The footage is extracted from three Turkish films entitled The Crying Woman (1967), My Beloved Hooker (1968) and They Call Me “Flashy” (1969). All three films star the same actress Turkan Soray, also known as the Sultan of Turkish cinema.  Images of the same woman reacting to tragic events accompanied by highly melodramatic music and sound effects are juxtaposed one after another. Yet, the cause of the tragedy remains unknown since the narrative is fragmented and the melodrama  is isolated. Good News, is also constructed from segments of old Turkish films, starring Cuneyt Arkin, probably the most famous actor in Turkish cinema. Unlike her female counterpart, he is always active; initiating action rather than receiving, inflicting pain rather than enduring. By juxtaposing the woman in continuous positions of weakness, passively experiencing the post-tragedy, forever reacting rather than acting with the violent, active powerful man, the video creates a splitting experience for the viewer as it builds its own music out of fragments of separate narratives.



Cigdem Slankard was born and raised in Turkey and received her BA in translation and interpreting from Bogazici University (Istanbul, Turkey) in 1999. She first came to the United States in 1998 to study film and video at State University of New York in Binghamton. In 2002, she received a Master of Fine Arts in filmmaking from Ohio University. She has written and directed several short film and video projects including Spare Change (2002), Three Three Minutes (2001) and Palindromes (2005). Her work has been included in several exhibitions and film festivals including Istanbul International Short Film Festival in Turkey, Ohio Short Film and Video Showcase of the Wexner Center in Columbus, OH; INVIDEO, an annual international video art festival in Milan, Italy; and Exhibition 280, a national juried exhibition hosted in the Huntington Museum of Art in West Virginia.