SEASON I

Program 01 15.10.05
Program 02 22.10.05
Program 03 29.10.05
Program 04 05.11.05
Program 05 12.11.05
Program 06 19.11.05
Program 07 26.11.05
Program 08 03.12.05
Program 09 10.12.05
Program 10 17.12.05
Program 11 25.12.05
Program 12 07.01.06
Program 13 14.01.06
Program 14 21.01.06
Program 15 28.01.06
Program 16 04.02.06
Program 17 11.02.06
Program 18 18.02.06
Program 19 25.02.06
Program 20 04.03.06
Program 21 11.03.06
Program 22 18.03.06
Program 23 25.03.06
Program 24 01.04.06
Program 25
08.04.06
Program 26 15.04.06
Program 27 22.04.06
Program 28 29.04.06


SEASON II

Program 01 14.10.06
Program 02 21.10.06
Program 03 28.11.06
Program 04 04.11.06
Program 05 11.11.06
Program 06 18.11.06
Program 07 25.11.06
Program 08 02.12.06
Program 09 09.12.06
Program 10 16.12.06
Program 11 23.12.06
Program 12 30.12.06
Program 13 06.01.07
Program 14 13.01.07
Program 15 20.01.07
Program 16 27.01.07
Program 17 03.02.07
Program 18 10.02.07
Program 19 17.02.07
Program 20 24.02.07
Program 21 03.03.07
Program 22 10.03.07
Program 23 17.03.07
Program 24 24.03.07
Program 25 31.03.07
Program 26 07.04.07
Program 27 14.04.07
Program 28 21.04.07
Program 29 28.04.07


Lasse Brandt aka Bosse Sudenburg
Leftwing

2004, 3 min. (video, color, sound)


Sandra Eula Lee
Daily Closures

2005, 2:40 min. (video, color, sound)

 

 

 

Program 2 October 21, 2006

Expressions of the everyday.

Lasse Brandt aka Bosse Sudenburg
Leftwing

2004, 3 min. (video, color, sound)


In "Leftwing", the artist transforms a typical school desk by sawing off the right half to reassemble it on the left. After finishing his work, he sits down on the chair, signs the table and, after due consideration, sticks a chewing gum under it. What the video shows, however, is not the already transformed desk, but the transformation process itself. The documentary camera, held far back from the shot, thus makes us forget that the real product, the work presented here, is neither an object nor the story of its creation, but a succession of digital images. The real work escapes attention: it is the different aspects of the nature of this work that are explored here. The action of sticking the chewing gum to the desk highlights the action of signing the desk, which here is brought to the level of graffiti and "TAGS". The conscious appropriation of everyday´s environment is opposed to the integration of the artistic work in an artistic context. In this context, the title provocatively poses the question of the importance of politics in Art. Art is seen as a field of experimentation of aimless transformations - underlined in the reassembling of the desk and the clumsiness of the actor.

Sandra Eula Lee
Daily Closures

2005, 2:40 min. (video, color, sound)